On another call
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On set, Elaine introduces me to a host of people whom I do not know and who do not want to know me – because Elaine is in the room and her gift occupies space with volcanic power. A constant interrupter, Elaine wants it known that she has been there first – as she has, irrespective of where 'it' might be. The monumental face is a wretchedness that is great, and, because she has never learned how to be timid, she points the way for all assembled technicians and actors. She knows herself and she knows her worth, and we all spend our entire lives in search of such prizes.